By popular demand … this is making the rounds again. Must be the snow!
in which freema agyeman continues to play characters that break the mold for what people think women should be
in which freema agyeman continues to be a complete inspiration
Coming in 2018 is Disney’s next fairy tale mythology animated feature film, set amongst the South Pacific islands, rendered in a ‘painterly-style CGI’ (think the Paperman short): and y’all are going to LOVE IT:
The main character will be Moana Waialiki, a sea voyaging enthusiast, and the only daughter of a chief in a long line of navigators. When her family needs her help, she sets off on an epic journey. The film will also include demi-gods and spirits taken from real mythology.
This is also currently being directed by Ron Clements and John Musker, the duo who directed The Little Mermaid, Aladdin, Hercules and The Princess an the Frog! So there’s that
Interesting! What do you think, followers?
I waited years for Brave and I will wait years for this please do not disappoint me this time Disney :|
To those who say that whitewashing in Hollywood isn’t a thing:
- Irene from the movie Drive was Latina in the original novel, and her name was Irina. Carey Mulligan, a white woman, was cast in the part without an audition.
- The movie A Beautiful Mind is based on a true story. In real life, however, Alicia Nash, John Nash’s wife, is from El Salvador. She was portrayed in the film by Jennifer Connolly, a white woman.
- 30 Days of Night was based on a comic book miniseries. In the comics, however, the main character, Eben Olemaun, is an Inuit man. Futhermore, the town of Barrow, Alaska is described as being 57% Native American, 22% White, and yet in the movie, only one Inuit character was featured. You can’t tell me that all of those Caucasian extras were hired on acting ability, they don’t even talk.
- The movie 21 is based on a true story, in which most of the participants of the casino scam were Asian-American. In the movie, however, the main characters were white, and the Asian-American characters were poorly developed and badly written.
- They cast a white kid as Goku in Dragonball.Seriously. That happened.
- Dastan from Prince of Persia should have been, shocking, a Persian guy. Or, more specifically, probably Iranian. He was instead portrayed by Jake Gyllenhaal, who is white. Nobody in the movie was actually Middle Eastern, if I’m not mistaken, and the movie took place in the middle of the goddamn Persian Empire, where there probably weren’t a whole lot of white people walking around. Just sayin’.
- In Isaac Marion’s book Warm Bodies, Nora was half-Ethiopian. In the movie, she’s white.
- Every single person in the goddamn The Last Airbender movie should have been Asian. The entire series was based on Asian mythologies, borrowed heavily from Asian culture, and should have been immensely culturally diverse. Instead, all of the main characters were white, except for the villains. The characters who hailed from the Fire Nation, particularly Prince Zuko, Commander Zhao, and General Iroh, were portrayed by Indian people.
- Katniss Everdeen, Gale Hawthorne, and a large portion of the other inhabitants of the Seam were described as being “olive-skinned, black-haired, and gray-eyed.” Katniss and Seeder, the Tribute from District 11, were described in the books as having similar skin tones, and Seeder was portrayed in the movie as a black woman. Even then, the casting call sent out for Katniss sought out a Caucasian actress. They didn’t even consider women that actually fit the description of Katniss from the books.
But, I mean, the best actor always wins out, right? Whitewashing is a myth, right, it doesn’t actually happen.
- Angel Coulby, a black woman, was heavily criticized for portraying Guinevere in Merlin, a character traditionally played by a white woman. She did audition for this part.
- Donald Glover, a black man, received ridiculous amounts of scrutiny and negative attention for being linked to the part of Peter Parker, a traditionally white character.
But it’s their talent that matters, right?
Nobody’s criticizing Benedict Cumberbatch, especially not after learning that he was basically duped into accepting the part of Khan in Star Trek Into Darkness. Dude’s crazy talented. He’ll probably win an Oscar for something or another eventually.
The crazy talented Indian actor who could have played Khan, a Northern Indian character, and received mainstream exposure and a possible launchpad for his career, however? He won’t.
Illustration by Adrian Yermolayev for “The Adventure of the Blue Carbuncle”, The Red-Headed League and Other Stories, Saint Petersburg: Detgiz, 1945.
Sui He, “Portrait of a Lady” for Vogue China December 2013.
No, you shouldn’t feel bad, and also there’s about a 99.999999% chance you’re right, let’s be real here. Go about your merry way.
so i just saw frozen and i’m gonna tell you guys what i thought
spoilers under the cut
okay i kinda went into this before and this is probably the last time im gonna talk seriously about frozen on this blog (just tired of it by now really)
first and foremost, the thing people keep skirting around to squabble over animation errors and other pointless junk: FROZEN IS RACIST. racist as SHIT and if you disagree then you’re probably a willfully ignorant raging disney fan and also undeniably racist. sorry hard facts to face but it’s more than likely true.
- they used Sami people as an “inspiration” without paying any respect to Sami culture. they ABSOLUTELY appropriated an indigenous culture, and what’s worse, they tore it apart, discarded most of it and whitewashed it to the point that HARDLY ANYONE CAN TELL SAMI CULTURE WAS EVER EVEN INVOLVED IN THE PROCESS. WOW WHITE PEOPLE ARE SO GOOD AT THAT. BUT IT DOESNT MATTER CAUSE IT WAS PRETTY RIGHT??? THEY WORKED SO HAAAARD WHO CARES IF THEY’RE RACIST.
- that chilling, moving chanting in the beginning of the movie that so many people love? that’s a Sami yoik, a traditional Sami song.
- how about that goofy reindeer? reindeer husbandry is a HUGE aspect of Sami culture (and many indigenous cultures since ancient times- reindeer are thought to be the first domesticated animal) like i know you see it as just an animal BUT IT’S NOT JUST AN ANIMAL TO SAMI PEOPLE. if you even casually research Sami culture you would know this, and obviously Disney researched this enough to know about yoik songs and reindeer herding.
- SAMI PEOPLE WERE FORCED TO ASSIMILATE and colonized by white people (sound familiar), and one of the main reasons their culture and language survived was because of areas they continued to herd reindeer.
- "Today, in Norway and Sweden, reindeer husbandry is legally protected as an exclusive Sami livelihood, such that only persons of Sami descent with a linkage to a reindeer herding family can own, and hence make a living off, reindeer." REINDEER ARE SO FUCKING IMPORTANT TO THEIR CULTURE IT’S A LEGALLY PROTECTED RIGHT NOW. kind of gross to use a reindeer in such a slapstick manner, especially when Sami culture has pretty much been drained out of the movie, isn’t it? not to mention all the obvious errors in research, as in, reindeer have no problems on ice, you can’t ride a reindeer like a horse, etc etc…. but that’s besides the point.
- SAMI WERE PREDOMINANTLY POC. it’s kind of like american indians these days- yes, some of us are still brown, but MANY of us are white-passing. THATS WHAT HAPPENS WHEN YOU’RE COLONIZED, TURNED INTO SEXUAL SLAVES AND FORCED TO ASSIMILATE. people like to pull up pictures of modern Sami and scoff at this debate like they even know what they’re talking about- no, you shitwads. you sad, sad little fucks. fantasy, fiction, magical, whatever- if it’s set in a historical timeframe, it should pay respect to historical facts.
- KRISTOFF SHOULD HAVE BEEN A MOC. it’s not surprising he was whitewashed- if they had modeled him accurately IT WOULD HAVE BEEN THE FIRST INTERRACIAL COUPLE IN A DISNEY MOVIE FEATURING A WHITE WOMAN + MOC. huh, there’s plenty of disney white man + woc couples. wonder why that is??
"but ooorreeeee!! i can’t face my blatant acceptance of racism, cultural appropriation of indigenous cultures doesn’t mean jack to me… what was wrong with the STORY? it had so much heart, it was a perfect movie!!!…"
WELL OK THEN HOTSHOT LETS JUST DIVE IN TO ALL THE OTHER REASONS FROZEN WAS AWFUL.
- Anna is the most boring character i’ve EVER seen disney pull out of their ass. she’s basically an even more dense and bland version of Rapunzel, not just in looks! but in naive, “omg so awk” personality, and even more useless to boot. (at least Rapunzel had some character development and mad hair lassoing skills.)
- Kristoff is a total shitwad meathead, whose charming introduction was getting into Anna’s personal space and intimidating her out of his way. wow, such a stud. blossoming romance there. total feminist movie when the hero/love interest belittles the heroine/main character every chance he gets.
- Hans was a terrible villain. the whole “keep him the nicest guy ever so people flip out when he’s a total asshole” thing is soooo lazy and honestly doesn’t even make sense. the first scene we see him in, Anna runs off and he gets dropped into the water- he surfaces, all alone, and instead of being pissed off or at least annoyed that he got soaked (pretty standard reaction for anybody) he smiles dreamily like its nbd, like he’s just the sweetest thing that ever lived. at nobody. no one around to impress. that scene should have just been cut, tbh, because it’s too unrealistic and contrived to have moments like that and then whip around and say “ah-ha!! he’s been planning it all along!”
- Anna and Hans was actually PROBABLY one of the most believable disney romances i’ve ever seen. they connected, they hit it off, the sense of humor was there and the chemistry was just right. infatuation set in. this is super, super clumsy writing because ohhh my god, this whole movie becomes a broken record of “ur so DUMB, anna!! you only knew him for a night!!” but in the end Mr. Right is evil, everybody and their mother knew Anna’s true feelings before she did, and SHE STILL ENDED UP WITH SOMEONE SHE’D ONLY KNOWN FOR A COUPLE DAYS. the entire movie was a shame-fest for being crazy for a dude she just met, and then it ended with her hooking up with ANOTHER dude she’d only just met!!
- this movie was really, really sexist. i don’t know why everyone’s calling it so feminist or saying it’s a movie about sisters, because the sisterly stuff probably only took up 15% of the movie, and i can’t even think of anything feminist about it.
- sexism exhibit A) Kristoff berates her and judges her, as a stranger, multiple times (so many times i wanted to barf) for wanting to marry someone she’d just met. is marrying someone you’ve just met a good idea? no, of course not. who’s business is that, though? a planned love interest, i guess. it sent this message over and over that men are the rational ones, and any man who would agree to a marriage like that is up to something (bc men aren’t that irrational of course)
- sexism exhibit B) Anna couldn’t do shit on her own, and it was played for laughs. silly Anna. you think you’re so capable but ha ha ha you’re not. you need a man to save you, or shit, just a snowman will do.
- sexism exhibit C) remember the “girls have to be pretty” comment? because of that, nONE of the female characters showed any believable range of emotions, they were always graceful and pretty and cute. pretty shallow whitewashed eyecandy.
- as far as “sisterly” stuff, it was absolutely the only good part of the movie, but calling it “good” is quite a stretch. enjoyable, maybe. worth watching? ehhh. when Anna’s trapped by Hans and he divulges his villainous plan to kill her sister, what does she do when a snowman somehow accidentally picks the right lock on the right door and stumbles upon her weak little body? she starts thinkin’ bout BOYZ. not her sister who’s about to die. naaah, ~~*~*~*~love!~*~*~~*~~
- enter a love life lecture from a fucking snowman who’s only been alive for barely a day. “true luv is like, hmmm, like when kristoff brought you here to hans and left forever, omg, kristoff is so great. thats tru luv, anna. i know you had a whole song and dance number DRILLING IT INTO YOUR BRAIN that you should marry and adore this dorky meathead, but i thought i should remind you. kristoff. omg there he is!! somehow he knew to come back!!”
- ANNA’S FEELINGS DON’T EVEN MATTER. like, i don’t even know who Anna is after she jumps around her castle, bored out of her mind, and then stumbles out into the narrative. there’s no focus on Anna as a person, only her love life and trying to get Elsa to come home and knock off that wintery wiz biz. but her feelings? her thoughts, the way things have changed her? is she even lonely without her sister? is there anything more to her than being easy to laugh at and banter? did anyone even think about that, or was this just some kind of “meh, this first draft is good enough” movie?
- Elsa, to a lesser extent but not enough to matter, is in the same boat. where did her powers come from? how did she get chased out of her home, her kingdom, her castle, by her people, away from her SISTER and whats left of her broken family… end up at a mountain in like 20 mins (can she fly?? Anna ran out in her ball gown and it took her forever to even get close to the mountains on horseback) and then go “fuck it! hahahaha!” and build a castle in glee. where did that come from? she didn’t get any time to reflect, on screen, what just happened, and overcome it. it was literally just “aahhh! fuck fuck fuck damn it oh no” to “lmao im so fucking hot i love me” ??????
- the whole ending with the “omg do i kiss this boy who everyone TELLS me is my tru luv or do i save my sis?? omg im dying!! which one!!” was sooooooooooooooo weak. like, that could have been so much better. and it doesn’t even really matter it all ended on a “sisters4lyf” note because it was all so contrived and jerked into place to get there, it didn’t feel natural and just came outta nowhere. why was it even a QUESTION to kiss kristoff?? if this was such a sisterly movie, shouldn’t Anna have CARED more about her sister? ran off to save her as soon as olaf opened that door? ran over to save her when she saw Hans ready to chop her in two?? that’s the problem- this whole story was so poorly written without any heart or soul or thought to the characters, it doesn’t even resonate or make sense. the characters are flat, boring, and mostly pretty. there was such an emphasis on style and beauty and rendering that they completely overlooked the actual substance to any animated film- the story. the way it unfolds, the way the characters change. it was all forced together so brutally it was just a complete, awkward mess. the villain was forced, the love was forced, the change was forced, and even the narrative itself was force feeding the audience and telling, not showing, them what to think. that’s lazy. thats piss poor writing. even the songs were pretty weak.
and that’s all i have to say about it.
if you liked it- whatever. if there are things in the movie you liked well enough to find it tolerable- whatever. but don’t lie to yourself and say this is some fantastic game changing movie, “disney’s best” since whenever, because all you’re doing is letting disney set it’s own standard based on brand and not product, and that’s a shame. if you expect more, you’ll get more. if you don’t expect anything and you’re ready to gobble up any movie they shit out, soon enough their laziness will get to a point where you’re not even enjoying it anymore, and you’re disappointed.
but crappy writing and characterization aside- THIS MOVIE WAS RACIST. deal with it. it was racist as fuck and that’s actually the most important thing to realize here. expect more from the story, sure, but DEMAND disney to stop appropriating cultures with their own sloppy takes on them. finally come to terms with the fact disney is racist, and stop coddling and sucking up to a fucking industry giant (that doesnt need any of that, seriously, they’re worth billions of fucking dollars and can fund anything they want) and start giving a shit about how DAMAGING disney can be. kid’s movies? yeah, where do you think all these problems start? don’t you think a corporation whose demographic is young children should, uh, TRY a little harder to not spread racism and sexism? so many of you think that movies directed toward children should be taken less seriously and be held to a lower standard, but i think that’s fucking horrible and disgusting. if anything, disney (and any studio that produces content for young people) should be NITPICKED TO THE BONES. criticized for every frame, every word, every message it sends. kids absorb this shit. little girls need to see body diversity. poc NEED to see themselves represented.
kids notice this shit and disney is held in such a high regard, they trust it without question. why the fuck wouldn’t we tear it apart, inch for inch? why wouldn’t we expect excellence, if we’re going to hold disney above all the rest?
(my theory is emotional manipulation, using your childhood memories and fondness for animated films to manipulate a market- generations of people fond of disney, they pass it down to their children and siblings, this sort of brand loyalty that makes people FUCKING INCREDIBLY prone to accepting anything disney makes. this is why Frozen infuriates me, and it’s a goddamn shame everyone takes this kind of junk without question. c’mon. disney is a business, not some wise old geezer telling you bedtime stories. they keep their princesses pretty and white to sell you merch you’ll buy. they toss in a few poc films, skew the facts beyond recognition to uphold whiteness, so you think they’re inclusive and poc can’t complain. give me a fucking break.)
BLESS YOU ORE